Statement

I make inkjet prints on translucent gampi paper, dampened before printing so the ink diffuses within the fibers. The process balances the precision of the machine with the fluidity of ink and moisture. Each image begins as a sketch, watercolor, or photograph, revised and refined over time until it becomes less about the subject itself and more about the act of seeing.

I’m drawn to the transparency and liquidity of the materials I work with—the way forms shift, meanings dissolve, and light passes through. These qualities guide both my process and my thinking. The finished prints are distilled and open-ended, like veils you can look at and look through at once. They invite reflection on how perception and imagination overlap, where meaning stays fluid, provisional, alive.